Michael Mazzarella -- Grey Over An Autumn Winter (Angelica):

The Rooks frontman is an introspective mood. While many of his outstanding ‘60s-drenched Rooks tunes were tinged with sadness and melancholy, they were still pop songs, and had a certain amount of drive to them. On this solo effort, Mazzarella is downcast and defeated. These intimate recordings are confessionals as much as songs, as he cuts veins open and sings in hushed tones over minimal backgrounds, the hurt pouring out. His keen melodic sense is still there, but the songs are so muted, the mood dominates over the tunes. As a result, the craft takes a bit longer to appreciate, but without that craft, the disc wouldn’t be that compelling. The title song is fragile and desolate, sounding like Elliot Smith mixed with a heavenly chorus of backing vocals, while a distant piano (the dominant instrument throughout the album) plays in the background. “Winter Over Me” also features those elements, with stronger string accompaniment. The Mazzarella melodic sense is still there, it’s just muted in places -- check out “She Said”, with Mazzarella straining his voice over a great rising melody on a sad soft pop piece. The emotional centerpiece of the album is “You Like Me”, which is nearly eight minutes long and is steeped in atmosphere, with a long solo piano interlude that sounds like loneliness. This album is a much more difficult listen than any Rooks release (or that of pretty much any pop band). Perhaps the biggest hurdle to clear is that this album isn’t a hook fest -- the mood is what carries it. However, Mazzarella’s portrayal of a downward spiral is fairly successful, because it sounds very convincing.

http://www.myspace.com/michaelmazzarella

Mike Bennett
FUFKIN



Michael Mazzarella
GREY OVER AN AUTUMN WINTER

Since disbanding the marvelous Rooks, Michael Mazzarella has been taking some unconventional steps. Last time out, Mazzarella issued a DVD of studio recordings that was probably difficult for most to get a handle on, even though the song quality was at its usual high.

So what then to make of Grey Over An Autumn Winter? Eschewing a band, the album very much features Mazzarella solo, with the occasional contribution from vocalist Gail George. As the title of this new album suggests, the mood that descends is certainly grey. It's one of those melancholy albums that begs to be listened to alone very late at night as one undertakes a contemplative moment.

By and large, there is a strong chamber pop approach as Mazzarella engineers a specific emotional response with references to McCartney, Wilson and Bacharach guaranteeing a pleasing wistfulness. Upon first listen, the austerity of the production is a little shocking with the songs coming across like demos. However, if one gives Grey Over An Autumn Winter the time to sink in, the charm of tracks like "She Said", "The Colder It Gets The Deeper We Fall" and "Girl Gone Bye" shine through. With a daring release that places its bets on songcraft, Mazzarella has hit the jackpot.

KEVIN MATTHEWS

Michael Mazzarella – So Low Solo

The trouble with music today is that there’s just too much of it. Too many bands, too many websites, too many MySpace pages and way too many less-than-mediocre CDs. The music industry is in flux and it looks like the power shift may have started, placing the momentum in the laps of kids with cool haircuts, big plans, user-friendly digital gear and unfortunately often lame-ass skillz. With emancipation comes a price - literally. Seems like anyone can (and everyone does) release something on an everyday basis. Remember when release schedules actually meant something and you’d wait a month for your favorite band’s music to hit the streets? I don’t take chances on unknown acts anymore. My wallet’s been burned to a crisp too many times and I’m tired of the growing collection of one-good-song aluminum discs turning into beer coasters around my apartment.

I like my rock music loud, my rap music raw and my country music sung for the damned. If my adrenaline ain’t racin’, my heart rate’s not jumpin’ or I’m not feeling just a little bit dirty it’s probably not for me. If the music’s supposed to sound like it was written in some mangy motel in unknown parts in the heat of an August blackout, then I want to feel the suffocation and the sleaze.

God bless Michael Mazzarella. The frontman of the pop band The Rooks just went out on a limb and I feel like I’m dangling up there with him. There was no screwing around when this vastly under-appreciated singer/songwriter/producer decided to title his new solo CD Grey Over An Autumn Winter. No false advertising here. The album goes from gray to black within three songs and you’d better bring an umbrella and a flashlight. Songs "Winter Over Me," "You Like Me" or "She Said" are dreary enough to make one feel that we’ve lost the other two seasons for good. Autumn Winter’s closer "Dear Mariann" is so gloom-addled, I feel my discomfort rise as if I’m peeking into a secret key-hole at the top of an off-limits staircase. Even if I didn’t know that the song is sung to Mazzarella’s dead mother, I still would find it just creepy enough to want to go on that ride again. Mazzarella’s broken voice makes my skin crawl in a way that excites my ears. Like I said, if you’re gonna write about going to hell, then you’d better bring da heat.

There’s symetric charm to be heard also. "Girl Gone Bye’s" sweet harmonies and lulling piano climbs shine with a bitter-sweet sound and the cinematic "Fairground Is Gone" and "A Life In The Day Of A Man" are soundtrack-type songs ripe for the taking for the silver screen. This is probably the last CD you’d ever pick when you’re looking to get laid, but if you ever want to hear a naked artist bearing his innards on a chilly day - play this one. It won’t make you smile but in a strange way, you may feel better just the same.

FOUR STARS
-DAVID MONTAGUE-
Whiskey Soda



MICHAEL MAZZARELLA
GREY OVER AN AUTUMN WINTER
ANGELICA

Grey Over An Autumn Winter, the first solo album from longtime Rooks regular Michael Mazzarella, could be considered something of a sleeper, not only in a figurative sense, but in a literal one as well. For starters, the Rooks are, for all intents and purposes, Mazzarella’s band; it’s been the manifestation of his musical vision and the purveyor of his songs ever since the group’s launch a dozen or so years ago. So any attempt to distinguish his individual album from a collective endeavor only serves to further blur the boundaries. However, sleeper is also an apt description of the album’s narcoleptic sound; infused with the wistful melancholia implied in the album title, Grey Over An Autumn Winter creates a kind of aural haze manifest in dewy-eyed sentiment and a dreamy lilt. Confining his accompaniment primarily to piano and softly strummed acoustic guitars, Mazzarella’s plaintive vocals and billowing harmonies add a mournful quality to these tentative open-ended melodies and tepid ruminations. There are occasional moments where Mazzarella musters more enthusiasm - the jaunty, Beatlesque "The Colder It Gets The Deeper We Fall," the gentle sway of "A Life In The Day Of A Man" and the soothing, beguiling title track in particular - but overall this is an album best suited to quiet contemplation and aimless nocturnal musings.

LEE ZIMMERMAN/Amplifier Magazine
http://www.amplifiermagazine.com/reviews/cds/michael_mazzarella_cd.php




Grey Over An Autumn Winter is dark, personal and haunting. Within eleven songs, Mazzarella has managed to (at least to this listener) conjure moods and sounds of confusion, mystery, acrimony, warmth, loss, beauty, isolation and finally heavy reflection. I simply cannot recall another album sounding quite like this one.” – Lester Sills



Grey Over An Autumn Winter
Michael Mazzarella

Brand new release from Rooks frontman!  Backed primarily by acoustic guitar and piano and gorgeous harmonies, this is a rather intimate look at an artist - stripped away of band trappings - as he bares his soul in a way seldom heard before - resulting in a gorgeous, haunting, intimate, Sunday morning kind of record! 

Review by: Kool Kat Musik



From John Borack’s RAVE ON column in the next issue of Ampliefier

"New music from Michael Mazzarella of The Rooks is always welcome, and his solo excursion, Grey Over an Autumn Winter, is the sound of a gifted songwriter following his muse down a muted, often harrowing path. Mazzarella seems to be channeling his inner Nick Drake here – no "Reasons" or "Night Writer" to be found – and continues to evolve as an artist in the process. It’s intensely personal and obviously deeply felt music, culminating with "Dear Mariann," written about Mazzarella’s late mother. It'll be very interesting to see where he goes from here…" - John M. Borack



2007 solo release from The Rooks leader and visionary. This is not the follow-up to the stunning genius of The Rooks` A Wishing Well (that is coming, we’re assured!), but a purely solo album of utter genius, and one that demands the listener to engage in the place - the musical sketch that is being created. The rewards and the pay-offs are substantive, sublime and worth every nuanced-drenched note. What is always present in Mazzarella`s work is a poet’s keen, lyrical and observational eye for the delicacy of the human condition. Its humanity and poignancy are always evident in every carefully-placed syllable. The sparse but still spacious instrumentation enhances every corner of music. There’s some mighty fine background vocals from Gail George, who released a nice little out-of-print gem (Follow Your Bliss) back in 2004.

Mazzarella steps boldly and stronger into 2007 with an effort that while not what more casual Rooks fans would expect to hear, the ones most deeply moved and challenged by Mazzarella`s vision in the past will be very happy to walk this most leaf-soaked city sidewalk with him.

BRUCE BRODEEN/Not Lame



HOME NEWS BAND BIO LIVE SCHEDULE
LIVE SCHEDULE LIVE SCHEDULE DISCOGRAPHY PHOTO GALLERY
FAMILY TREE GUESTBOOK LINKS MESSAGE BOARD

a web wrangler designed site